In comparison with minor sixth chords, major sixth chords have a major third. Major Sixth Chords (Maj6) - 3-Note Chord Shapes They share the same root and the same b3. Indeed, the bb7 is the same as the sixth. with your index finger ready to play at the 13th fret). Here are the three voicing shapes to play minor 7 chords.ĭominant Seventh Chords (7) - 3-Note Diagramsĭom7 shell voicings are built with root (1), minor third (b3) and minor seventh (b7).ĭiminished Seventh (dim7) and Minor 6 Chords (min6) - 3-Note Chord Shapesĭiminished seventh 3-note chord positions are the same as minor 6. Today were lookingat a 3 note style of rhythm playing, 3 note chord,and this is something thats just very common,you might use in a combo band or a trio. Blues Scale Pattern 3 The TAB below shows how pattern 3 can be used to play a 1-octave C blues scale either in open position (in which case one of the black circles on the diagram would represent the open G string), or starting in 13th position (i.e. Minor Seventh Chords (min7) - 3-Note Shapes
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The three shapes below show how to play 3-note major 7 chords on guitar with root note on the 6th, 5th and 4th string. Major Seventh Chords (Maj7) - 3-Note Shell Voicings Triad chords are also made of three notes but they don't have seventh. It is important note to confuse 3-note shell voicings with triad chords. In all the ways, the fifth is not played to make the sound of the chord less fat and to economize a finger that can be used to enrich the chord with a most interested tone as the 13, 9 etc. Lick 2 is another bend oriented lick that I really.
These four essential types are major 7 (1 - 3 - 7), minor 7 (1 - b3 - b7), dominant 7 (1 - 3 - b7), diminished 7 (1- b3 - bb7) that can be seen as minor 6 (1 - b3 - 6) and major 6 (1 - 3 - 6). A bend is just a very small bend that pushes the note slightly out of tune. Here are the most important 3-note voicings used in jazz music categorized by types.
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